![]() Recorded at Rockfield Studios and mixed in LA. The Dio album (The Devil You Know – Mk2 Black Sabbath under the name Heaven and Hell) was written in England and Los Angeles at Tony and Ronnie’s respective studios. The first Black Sabbath credit was for a retrospective with Ronnie James Dio, which needed some new songs to be produced. Obviously Tony is the one constant in Black Sabbath, so when projects came up he asked me to do them. Kit was unable to be part of that due to previous commitments so the responsibility fell on me to complete it. During the final stretch of that first Cradle Of Filth record (Dusk And Her Embrace), the producer (Kit Woolven) brought Tony in for some mixing which turned into a solo project. How did you start working with Black Sabbath and could you tell us about those various sessions, studios you recorded in, choice of microphones, choice of outboard etc?īlack Sabbath came after a relatively long association with Tony Iommi. I engineered some and played keyboards on that record, followed by production on the following along with one other EP. They were looking to work on a new album in Birmingham for some reason and DEP (UB40’s studio where I was head engineer) was the best studio around. How did you start working with Cradle Of Filth? ![]() ![]() ![]() Helping a young rock band from Lancashire (Massive Wagons) get a UK chart placing (No.16) and No.1 in the Rock Charts. ![]()
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